Gerhard Richter. Sinopsis

This catalogue was published on the occasion of the exhibition Richter en France at the Musée de Grenoble in 2009.
Both the exhibition and catalogue are dedicated to works by Gerhard Richter that belong to public collections and museums in France. The artworks offer an insight into Richter’s different creative periods. Despite an emphasis on abstract paintings of the 1980s, paintings after photographs, grey monochrome pictures and drawings are also taken into account.

The text contributions provide an overview of Richter's œuvre and address grey paintings and glass works, as well as drawings separately.

Text contributions by Guy Tosatto, Jean-Pierre Criqui and Jonas Storsve.

The catalogue Gerhard Richter. Übersicht accompanies the eponymous exhibition of the German Institut für Auslandsbeziehungen (IfA), which has been composed by Gerhard Richter himself.

The exhibition has been touring different countries for several years and presents Richter's œuvre abroad. The 27 selected works offer an insight into nearly every creative phase of the artist. The exhibition does not claim to show Richter's work comprehensively, the title rather refers to the exhibited piece of work Overview [Editions CR: 93] of 1998.

With a preface by Götz Adriani and text contributions by Dieter Schwarz.

The catalogue Gerhard Richter. Survey accompanies the eponymous exhibition of the German Institut für Auslandsbeziehungen (IfA), which has been composed by Gerhard Richter himself.

The exhibition has been touring different countries for several years and presents Richter's œuvre abroad. The 27 selected works offer an insight into nearly every creative phase of the artist. The exhibition does not claim to show Richter's work comprehensively, the title rather refers to the exhibited piece of work Overview [Editions CR: 93] of 1998.

With a preface by Götz Adriani and text contributions by Dieter Schwarz.

The catalogue raisonné of Gerhard Richters editions 1965–2004 was published to coincide with exhibitions in Bonn, Lucerne, Emden, Tübingen and Salzburg.

Authorised by Gerhard Richter, this catalogue takes into account limited edition objects, graphics and photographs as well as oil painting editions, artists' posters and artists' books. It is an edited and extended version of an editions' catalogue raisonné published in 1993.

The text contributions analyse the idea behind the editions and their design and consider them in the context of Richter's œuvre. Thus the limited edition pieces reflect essential focus points of his painterly work: in addition to portraits, still lifes and landscapes, also monochrome and abstract works can be found within the editions, as can the result of his engagement in glass materials and the principle of chance.

Text contributions by Hubertus Butin, Stefan Gronert and Catharina Manchanda.

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.

The publication Gerhard Richter. Editionen 1965 – 2013 updates the catalogue raisonné of his editions that was published ten years earlier. This book includes additionally 35 new and hitherto unknown works, as well as proofs. It contains all original works that were made in editions, such as prints, photographic editions, artist’s books, artist’s posters, multiples and editions of paintings, which were produced before 2013.

Text contributions by Hubertus Butin and Stefan Gronert provide an insight into techniques, form, relevance and context of the editions. Butin analyses the significance of editions in Richter’s oeuvre as well as its relevance in art history. Gronert concentrates on the importance of photography in Richter’s oeuvre; not only does it play a role as a medium of reproduction but also as source of templates for his paintings.

The catalogue raisonné of Gerhard Richters editions 1965–2004 was published to coincided with exhibitions in Bonn, Lucerne, Emden, Tübingen and Salzburg.

Authorised by Gerhard Richter, this catalogue takes into account limited edition objects, graphics and photographs as well as oil painting editions, artists' posters and artists' books. It is an edited and extended version of an editions' catalogue raisonné published in 1993.

The text contributions analyse the idea behind the editions and their design and consider them in the context of Richter's œuvre. Thus the limited edition pieces reflect essential focus points of his painterly work: in addition to portraits, still lifes and landscapes, also monochrome and abstract works can be found within the editions, as can the result of his engagement in glass materials and the principle of chance.

Text contributions by Hubertus Butin, Stefan Gronert and Catharina Manchanda.

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.

This edition of the biography Gerhard Richter, Maler published in 2008 was slightly revised to include details of more recent events in Richter’s life.

This catalogue raisonné records Richter’s works in the years 1993-2004.

In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them. In his pictures based on photographs - blurred overpaintings, grey paintings, and landscape and abstract compositions - he makes clear that nothing perceived by our senses can ever be found in a picture. The outer world is not portrayable and the inner one resists any comparison. While his painted works based on photographs illustrate painting's superiority, his glass works - glass panes, paintings on glass, mirrors and sculptures - question the interaction of viewer and picture and, like the paintings, offer a window onto the world. This publication takes account of all the important stages of Richter's oeuvre.

The publication Gerhard Richter. Editions 1965 – 2013 updates the catalogue raisonné of his editions that was published ten years earlier. This book includes additionally 35 new and hitherto unknown works, as well as proofs. It contains all original works that were made in editions, such as prints, photographic editions, artist’s books, artist’s posters, multiples and editions of paintings, which were produced before 2013.

Text contributions by Hubertus Butin and Stefan Gronert provide an insight into techniques, form, relevance and context of the editions. Butin analyses the significance of editions in Richter’s oeuvre as well as its relevance in art history. Gronert concentrates on the importance of photography in Richter’s oeuvre; not only does it play a role as a medium of reproduction but also as source of templates for his paintings.