Nuevas abstracciones
New Abstractions
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
25 四月 1996 - 23 六月 1996
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
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- Gerhard Richter. Abstrakte Bilder, Haus der Kunst, 2009
- Gerhard Richter. Abstrakte Bilder, Museum Ludwig, 2008
The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard Richter’s abstract pictures, which form approximately one third of his œuvre.
However, this publication is not an overview of the development of his abstract works, but rather singles out selected large format works for discussion. These works, executed between 1986 and 2006, show a similar complexity that originates from a multitude of layers of paint.
Edited by Ulrich Wilmes, with text contributions by Benjamin H.D. Buchloh, Beate Söntgen and Gregor Stemmrich.

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The book was published on the occasion of the exhibition Gerhard Richter. Abstrakte Bilder at Museum Ludwig, Cologne and Haus der Kunst, Munich. The exhibitions were dedicated to Gerhard Richter’s abstract pictures, which form approximately one third of his œuvre.
However, this publication is not an overview of the development of his abstract works, but rather singles out selected large format works for discussion. These works, executed between 1986 and 2006, show a similar complexity that originates from a multitude of layers of paint.
Edited by Ulrich Wilmes, with text contributions by Benjamin H. D. Buchloh, Beate Söntgen and Gregor Stemmrich.

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- Gerhard Richter: Panorama, Tate Modern, 2011
- Gerhard Richter: Panorama, Neue und Alte Nationalgalerie, Staatliche Museen zu Berlin, 2012
- Gerhard Richter: Panorama, Musée National d'Art Moderne, Centre Georges Pompidou, 2012

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The exhibition catalogue Nuevas Abstracciones documents the eponymous exhibition in the Museu d’Art Contemporani de Barcelona in 1996. Alongside Gerhard Richter’s series Green-Blue [CR: 793/1-4], works by artists Bianchi, Davenport, Förg, Kirkeby, Scully, Taaffe and Winters are displayed. The catalogue contains a Spanish translation of the essay The Pure, the Impure and the Non-Pure: Painting after Modernism by Arthur Dantos.
With text contributions by Thomas Kellein, Hans-Michael Herzog, Arthur Danto and Enrique Juncosa.
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