Gerhard Richter: Das Prinzip des Seriellen

Gerhard Richter. Übermalte Fotografien was published to coincide with the exhibition at the Museum Morsbroich in Leverkusen and at the Centre de la photographie in Geneva.

For the first time, an exhibition and catalogue give an extensive overview of Gerhard Richter’s overpainted photographs, dated from 1986 onwards. 400 largely unpublished artworks were brought together from numerous private collections, including Gerhard Richter’s own.

Edited by Markus Heinzelmann, with texts by Siri Hustvedt, Markus Heinzelmann, Uwe M. Schneede and Botho Strauss.

Gerhard Richter. Overpainted Photographs was published to coincide with the exhibition at the Museum Morsbroich in Leverkusen and at the Centre de la photographie in Geneva.

For the first time, an exhibition and catalogue give an overview of Gerhard Richter’s overpainted photographs, dated from 1986 onwards. 400 largely unpublished artworks were brought together from numerous private collections, including Gerhard Richter’s own.

Edited by Markus Heinzelmann, with texts by Siri Hustvedt, Markus Heinzelmann, Uwe M. Schneede and Botho Strauss.

Gerhard Richter. Fotografías pintadas was published to coincide with the exhibition at the Museum Morsbroich in Leverkusen and at the Centre de la photographie in Geneva.

For the first time, an exhibition and catalogue give an overview of Gerhard Richter’s overpainted photographs, dated from 1986 onwards. 400 largely unpublished artworks were brought together from numerous private collections, including Gerhard Richter’s own.

Edited by Markus Heinzelmann, with texts by Siri Hustvedt, Markus Heinzelmann, Uwe M. Schneede and Botho Strauss.

The publication Gerhard Richter. Editions 1965 – 2013 updates the catalogue raisonné of his editions that was published ten years earlier. This book includes additionally 35 new and hitherto unknown works, as well as proofs. It contains all original works that were made in editions, such as prints, photographic editions, artist’s books, artist’s posters, multiples and editions of paintings, which were produced before 2013.

Text contributions by Hubertus Butin and Stefan Gronert provide an insight into techniques, form, relevance and context of the editions. Butin analyses the significance of editions in Richter’s oeuvre as well as its relevance in art history. Gronert concentrates on the importance of photography in Richter’s oeuvre; not only does it play a role as a medium of reproduction but also as source of templates for his paintings.

The publication Gerhard Richter. Editionen 1965 – 2013 updates the catalogue raisonné of his editions that was published ten years earlier. This book includes additionally 35 new and hitherto unknown works, as well as proofs. It contains all original works that were made in editions, such as prints, photographic editions, artist’s books, artist’s posters, multiples and editions of paintings, which were produced before 2013.

Text contributions by Hubertus Butin and Stefan Gronert provide an insight into techniques, form, relevance and context of the editions. Butin analyses the significance of editions in Richter’s oeuvre as well as its relevance in art history. Gronert concentrates on the importance of photography in Richter’s oeuvre; not only does it play a role as a medium of reproduction but also as source of templates for his paintings.