Collector's Paradise
Collector's Paradise
Galerie mike karstensMünsterGermany
11 June 2017 - 01 October 2017
Black offset print of an image that was designed on the computer. Size of motif: 80.0 cm x 80.0 cm.
Edition:
- 100 copies, signed in pencil, dated at bottom right, numbered at bottom left, inscribed at bottom centre: 40.000.
- 20 copies, signed in pencil, dated at bottom right, numbered in Roman numerals at bottom left, inscribed at bottom centre: 40.000.
- 3 copies, signed in pencil, dated at bottom right, inscribed at bottom centre: 40.000 (with a personal dedication at bottom left).
- 1 trial proof, signed in pencil, dated at bottom right, inscribed at bottom centre: 40.000, inscribed at bottom left: proof für 120 Offsetdrucke für T.z.K.
This artwork was shown in the following exhibitions::
Related publication(s)

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Exhibitions
More Details
Publisher
Year
Editor
Details
ISBN
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The publication Gerhard Richter. Editions 1965 – 2013 updates the catalogue raisonné of his editions that was published ten years earlier. This book includes additionally 35 new and hitherto unknown works, as well as proofs. It contains all original works that were made in editions, such as prints, photographic editions, artist’s books, artist’s posters, multiples and editions of paintings, which were produced before 2013.
Text contributions by Hubertus Butin and Stefan Gronert provide an insight into techniques, form, relevance and context of the editions. Butin analyses the significance of editions in Richter’s oeuvre as well as its relevance in art history. Gronert concentrates on the importance of photography in Richter’s oeuvre; not only does it play a role as a medium of reproduction but also as source of templates for his paintings.
...
Publisher
Year
Editor
Details
ISBN
Category
The publication Gerhard Richter. Editionen 1965 – 2013 updates the catalogue raisonné of his editions that was published ten years earlier. This book includes additionally 35 new and hitherto unknown works, as well as proofs. It contains all original works that were made in editions, such as prints, photographic editions, artist’s books, artist’s posters, multiples and editions of paintings, which were produced before 2013.
Text contributions by Hubertus Butin and Stefan Gronert provide an insight into techniques, form, relevance and context of the editions. Butin analyses the significance of editions in Richter’s oeuvre as well as its relevance in art history. Gronert concentrates on the importance of photography in Richter’s oeuvre; not only does it play a role as a medium of reproduction but also as source of templates for his paintings.
...