Albertina Contemporary. Warhol bis Richter

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.

In Was die Bilder erzählen, the German essayist Dieter Wellershoff presents a tour through an imaginary museum. He introduces over 230 paintings, by some 80 artists from a range of different epochs, spanning the last 500 years.

A significant section is devoted to Gerhard Richter. In his discussion of Richter’s art, Wellershoff focuses on the artist’s versatility, which he attributes to his “experimental curiosity”, as well as to his “pluralistic world experience”.

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter. A Life in Painting gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.

This English translation of the biography Gerhard Richter, Maler by Dietmar Elger, published in 2009, was slightly revised for the Anglophone reader.

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.

This edition of the biography Gerhard Richter, Maler published in 2008 was slightly revised to include details of more recent events in Richter’s life.

Catalogue accompanying the exhibition Gerhard Richter. Zeichnungen, Aquarelle, neue Bilder at Kaiser Wilhelm Museum Krefeld (April 9–June 18, 2000).

Although throughout his career Richter has always worked in the two seemingly contrasting realms of pure abstraction and photorealism they have turned out to be complementary aspects of his vision. This inter-relation of media is especially evident in the series of paintings completed in 1999 and is brought together in this publication. Having always been a strong believer in the power of painting this series of work documents his rediscovery of this powerful and for himself unavoidable force of self-expression. The images range from abstract, expressionistic shapes, to landscapes, to portraits without losing the underlying loyalty to aesthetic beauty. Adding to the reproductions there is a perceptive text by Julian Heynen to complete this publication.

The book Gerhard Richter. Aquarelle und Zeichnungen was published on the occasion of the exhibition Gerhard Richter. Retrospektive at the Albertina in Vienna in 2009.
Unlike in the artist’s previous retrospectives, Gerhard Richter’s graphics are given a prominent place. The exhibited works on paper span a period of 40 years, from 1966 to 2006. This overview shows how Richter’s drawings and watercolours initially focused on the abstract, and also show to what extent they interact with his paintings.

The book includes a foreword by Klaus Albrecht Schröder and an essay by Barbara Steffen.

This catalogue raisonné records Richter’s works in the years 1993-2004.

In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them. In his pictures based on photographs - blurred overpaintings, grey paintings, and landscape and abstract compositions - he makes clear that nothing perceived by our senses can ever be found in a picture. The outer world is not portrayable and the inner one resists any comparison. While his painted works based on photographs illustrate painting's superiority, his glass works - glass panes, paintings on glass, mirrors and sculptures - question the interaction of viewer and picture and, like the paintings, offer a window onto the world. This publication takes account of all the important stages of Richter's oeuvre.