Bilderstreit. Widerspruch, Einheit und Fragment in der Kunst seit 1960
Image Clash: Contradiction, Unification and Fragmentation in Art since 1960
Museum Ludwig at Rheinhallen, Colonia, Germania
08 aprile 1989 - 28 giugno 1989
Kunstmuseum Bonn, Bonn, Germany
Questa opera d'arte è stata esposta nelle seguenti mostre::
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- Gerhard Richter. Bilder 1962–1985, Museum moderner Kunst/Museum des 20. Jahrhunderts, 1986
- Gerhard Richter. Bilder 1962–1985, Städtische Kunsthalle Düsseldorf, 1986
- Gerhard Richter. Bilder 1962–1985, Nationalgalerie, Staatliche Museen zu Berlin, 1986
- Gerhard Richter. Bilder 1963–1986, Kunsthalle Bern, 1986

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Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter. A Life in Painting gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.
Besides an evaluation of numerous letters and material from the Gerhard Richter archive, the book includes conversations with the artist as well as several of his contemporaries. Dietmar Elger, director of the Gerhard Richter Archive, describes Richter’s daily studio routine and his creative process. Thanks to detailed background information, this book contributes to an understanding of Richter’s art in connection with his life.
This English translation of the biography Gerhard Richter, Maler by Dietmar Elger, published in 2009, was slightly revised for the Anglophone reader.

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- Gerhard Richter: Over Schilderen, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), 2017
- Gerhard Richter: Über Malen - Frühe Bilder, Kunstmuseum Bonn, 2017
- Gerhard Richter: Frühe Bilder, Museum Wiesbaden, 2018

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- Monochrome: Painting in Black & White, National Gallery, 2017
- Black & White. Von Dürer bis Eliasson, Museum Kunstpalast, 2018

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- Gerhard Richter, Städtische Galerie im Lenbachhaus, 2005
- Gerhard Richter, K20 Grabbeplatz, Kunstsammlung Nordrhein-Westfalen, 2005
This catalogue raisonné records Richter’s works in the years 1993-2004.
In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them. In his pictures based on photographs - blurred overpaintings, grey paintings, and landscape and abstract compositions - he makes clear that nothing perceived by our senses can ever be found in a picture. The outer world is not portrayable and the inner one resists any comparison. While his painted works based on photographs illustrate painting's superiority, his glass works - glass panes, paintings on glass, mirrors and sculptures - question the interaction of viewer and picture and, like the paintings, offer a window onto the world. This publication takes account of all the important stages of Richter's oeuvre.
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