Gerhard Richter. Die umfassende Landschaftsausstellung

In Was die Bilder erzählen, the German essayist Dieter Wellershoff presents a tour through an imaginary museum. He introduces over 230 paintings, by some 80 artists

Hyper Real is a catalogue that was published to coincide with the exhibitions of the Irene und Peter Ludwig Foundation in Vienna, Aachen and Budapest. Irene and Peter Ludwig were amongst the first to collect photorealist works of art.

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter. A Life in Painting gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.

This catalogue raisonné records Richter’s works in the years 1999-2004. In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them.

This catalogue raisonné records Richter’s works in the years 1993-2004. In his work, Gerhard Richter calls into question painting's boundaries, and the labels applied to painting and theories connected with them.

Gerhard Richter has been widely regarded as a publicity shy artist. However, the biography Gerhard Richter, Maler gives an insight into Richter’s personal history as well as into the development of his artistic œuvre.

Catalogue accompanying the exhibition Gerhard Richter. Landschaften at Sprengel Museum Hannover, Hanover, Germany (October 4, 1998 – January 3, 1999).

Catalogue accompanying the exhibition Gerhard Richter. Landschaften at Sprengel Museum Hannover, Hanover, Germany (October 4, 1998 – January 3, 1999).

Three-volume box set. Vol. 1: Illustrated works in exhibition. This volume (196 pp) contains approximately 92 four-colour and black and white plates (272 total works reproduced),

Exhibition catalogue by Roald Nasgaard, with an essay by I. Michael Danoff, and an interview with Gerhard Richter by Benjamin H. D. Buchloh, edited by Terry A. Neff.